![]() ![]() What makes the scene sadder isn't just the fact that the characters are facing death, but the fact that they have no other choice but to do so.He seems to make amends with him during this moment, as he nods solemnly at him as if to apologize for dismissing him for years. Potato Head holds hands with his wife, but he also takes Rex's hand. And he's still doing that at the very end. It's then that you realize that, since the beginning, Woody has been the one keeping them all together. At the very end, when everyone else has someone close, in comparison, Woody is facing this alone. Sure, he was holding Buzz and Slinky's hands, but they were too far off for him to really get close.So, every toy was huddling close to another, or burying their faces in each other's shoulders (Buzz and Jessie, the Potato Heads), except Woody. When the toys were facing death together in the furnace, they seemed to break off into groups, depending on who was closest.Even after repeated viewings, tears will no doubt be shed. If anything, the trailer version of the scene is sadder than how it appears in the actual movie. Randy Newman's "Losing You" playing over footage of young Andy playing with his toys throughout the year perfectly evokes the heart-wrenching nostalgia one might have for the innocence of childhood. The first trailer alone can be counted as one of the saddest moments in the whole series.Instead, they are brought by a garbage truck to a landfill, where they are dragged towards an incinerator.The end of an era.As the film tetralogy is emotionally powerful, Toy Story 3 in particular gets a special mention, in which it is so powerful that even hearing the story second-hand is enough to make one break down and weep. And the endless rotation of children ensures the toys will never become obsolete.īut Sunnyside is not the resort the toys first imagine rather, it's a prison, where the toys are bullies presided over by the despotic Lotso, and the children are rapacious, slobbering, unfeeling monsters.Īn escape sequence follows, in which Woody and the toys give Steve McQueen a run for his money The Toy Story films are deeply nostalgic about the history of American cinema, with old westerns and science-fiction embodied by Woody and Buzz Lightyear (Allen) respectively.īut while the toys manage to leave Sunnyside, they are not free of trouble. Here there are new toys, led by a seemingly loveable bear named Lots-o-Love (Beatty). Will they end up above, in the attic, or below, in the garbage?īy happy accident, all of the toys, including Woody, end up in the purgatory of a children's day care centre, called Sunnyside. But that leaves the other toys in a predicament. Woody is lucky Andy is still sentimental about his favourite toy and wants to take him along. The toys, led by Woody the sheriff (Hanks), come to terms with the fact that their owner, Andy (Morris), has grown up and, at 17, is about to head off to college. ![]() Toy Story 3 may be the most 'grown-up' film in the trilogy. Even when compared to the knowing satire and social commentary of The Simpsons, Toy Story surprises with its depth of feeling and its mature exploration of such themes as life and death, love and rejection, friendship and loneliness. The Toy Story films have always catered to adults in a way most animated features do not. ![]() I got the feeling, as the film played, that this was its intended audience: people who had grown up with the Toy Story franchise, and yet had never quite grown up. There was just one infant, who, asleep in her mum's arms, was unaware of the screen in front of her. When I went to see Toy Story 3 the audience consisted almost entirely of adults in their 20s and 30s. Starring: Tom Hanks, Tim Allen, Joan Cusack, Ned Beatty, Don Rickles, Michael Keaton, John Morris, Jodi Benson, Timothy Dalton.
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